![]() ![]() We're going to be digging into this exception today and talking about other things that you need to know for filing these schedules. 2, and subsequently, those have been finalized, Dec. Thankfully, in the second draft of the instructions, the IRS listened and issued another set of draft instructions. So some of these requirements for this exception seem like a difficult ask. They offered a new exception called the domestic filing exception. 25, to be specific, of 2022, the IRS issued draft instructions for the 1065 and shortly thereafter, for the 1120-S schedules. Fast-forward to now, getting ready for the 2022 filing season. ![]() So mid-February, the IRS provided some additional exceptions for filing those schedules in 2021. Along with this, it was announced that the E-file system was not going to be ready to accept schedules as part of an E-file return, and let's just say chaos ensued. So in early 2022, about a year ago, as we're recording, the IRS released final instructions for the schedules, and some of the wording and requirements took a lot of practitioners by surprise. These schedules were meant to streamline international tax reporting for flow-through entities. ![]() So coming into the 2021 tax filing season, there were still a lot of questions about Schedules K-2 and K-3. Just wanted to give a quick background here on the schedules. David is a managing partner of international tax services at Grant Thornton, and Tim is a managing director at KPMG in their national tax office. David and Tim were with me on a podcast that we recorded back in late 2021. Today, we're going to be talking about what's new for the 2022 filing year for Schedules K-2 and K-3, with two experts in this area, David Sites and Tim Chan. I'm April Walker, host of the Tax Section Odyssey podcast, where we offer thought leadership on all things tax facing the profession. Īpril Walker: Hello, everyone, and welcome to this collaboration between the Journal of Accountancy podcast and the AICPA's Tax Section Odyssey podcast. For broad appeal and historical importance, though, What's the 411? is an inarguably paramount and trailblazing achievement.- To comment on this episode or to suggest an idea for another episode, contact Neil Amato at. In fact, those who prefer their soul more stirring, heart-on-sleeve, or close to the bone would likely find her fluid, powerfully vulnerable next recording ( My Life) or one of the consistently strong subsequent efforts that followed it more to their liking. For instance, the synthesizer-heavy backdrops ("Reminisce," "Love No Limit") are sometimes flatter or more plastic than either the songs or Blige's passionate performances deserve, while the answering-machine skits, much-copied in the wake of What's the 411?, haven't worn well as either stand-alone tracks or conceptual segues. In retrospect, it is easier to place the album into the context of her career and, as such, to pinpoint the occasions when it runs wide of the rails. Certainly the singer comes across as street-savvy and tough - "real," in the lingo of the day - and even tries her hand at rhyming on the title track, but never again would her records lean this heavily on the sonic tricks of the rap trade. It's nevertheless unclear how much of the hip-hop swagger in her soul was a genuine expression of Blige's own vision or that of her admittedly fine collaborators (Svengali Sean "Puffy" Combs, R&B producers Dave Hall and DeVante Swing, rap beatsmith Tony Dofat, rapper Grand Puba). "Real Love" and the gospel-thrusted "Sweet Thing" (the primary reason for all her Chaka Kahn comparisons) are and will remain timeless slices of soul even after their trendiness has worn off, and "You Remind Me" and the duet with Jodeci's K-Ci ("I Don't Want to Do Anything") are nearly as affecting in their own right. The eloquence and evocativeness that comes through in her voice, could be neither borrowed nor fabricated, making What's the 411? one of the decade's most explosive, coming-out displays of pure singing prowess. Blige became the reigning queen of her own hybrid category: hip-hop soul. ![]()
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